Archive for November, 2007
"This was the worst war ever" : Ken Burns
…modern man inherits all the innate pugnacity and all the love of glory of his ancestors. Showing war’s irrationality and horror is of no effect on him. The horrors make the fascination. War is the strong life; it is life in extremis; war taxes are the
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Pakistan for Beginners: 3, with Omer Alvie
Pakistan: anguish and absurdity at the seat of the "war on terror:" a conversation with the Pakistani blogger Omer Alvie
Pakistan for Beginners: 2
Kanishk Tharoor, "terror and democracy" editor of the blog openDemocracy, reflects on the "asphyxiation of political space" in Pakistan.
Pakistan 2.0
The first in a series on Pakistan: our guest Sabahat Ashraf is a technical writer in Silicon Valley, a prolific blogger, and perhaps a key to the global chatter and global stakes in his homeland.
A Way to Live: Craig Smith’s Bach Project
Conductor Craig Smith, world famous especially for his cycle of Bach Cantatas, leads this cheerful introspection on music as "a way to live." Smith died on November 14, 2007. This program is adapted from a WGBH television documentary from 1992.
Art, Science & Truth: Jonah Lehrer
Jonah Lehrer in "Proust was a Neuroscientist" makes the case for artists (Walt Whitman, Igor Stravinsky, George Eliot, Paul Cezanne et al.) as the real pioneers in grasping and revealing how our minds actually work.
Speaking of Music Again: Oliver Sacks
There’s a case to be made — and Paul Elie makes it elegantly in his Slate review of Oliver Sacks’ Musicophilia — not just that Oliver Sacks is his own most interesting patient in his journal of musical symptoms, but that himself, the patient with 70-plus years of soaring, passionate musical memories, is more interesting than himself, the observant clinical neurologist.
A Piano Master Class with Saleem Abboud Ashkar
The aura around the Palestinian pianist Saleem Abboud Ashkar -- performing, teaching and talking at Brown this weekend -- suggests a major musical career coming into bloom, and at the same time a world-historical conversation being extended to a new generation. Young Abboud Ashkar, just 31, could be the late Edward Said's successor in the exquisitely tantalizing dialog with the Israeli pianist and conductor Daniel Barenboim. In counterpoint and close harmony, they are teasing out the implications of music for a world at war.





























