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	<title>Comments on: Requiem for Darfur</title>
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	<description>Christopher Lydon in conversation on arts, ideas and politics</description>
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		<title>By: Open Source &#187; Blog Archive &#187; Music as a civic &#8220;conspiracy&#8221;: George Mathew</title>
		<link>http://www.radioopensource.org/requiem-for-darfur/#comment-82925</link>
		<dc:creator>Open Source &#187; Blog Archive &#187; Music as a civic &#8220;conspiracy&#8221;: George Mathew</dc:creator>
		<pubDate>Mon, 12 Jan 2009 21:51:44 +0000</pubDate>
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		<description>[...] George Mathew&#8217;s extraordinary musical project unfolds anew tonight at Carnegie Hall. On the bill is the longest symphony in the standard repertoire, Mahler&#8217;s Third, with a couple of hundred star performers on stage, all for the benefit of Children of AIDS. The mission, grander even than the materials, might be titled: Music is a force that gives us meaning&#8230; that incarnates another way to conspire and connect&#8230; that puts us to work. [...]</description>
		<content:encoded><![CDATA[<p>[...] George Mathew&#8217;s extraordinary musical project unfolds anew tonight at Carnegie Hall. On the bill is the longest symphony in the standard repertoire, Mahler&#8217;s Third, with a couple of hundred star performers on stage, all for the benefit of Children of AIDS. The mission, grander even than the materials, might be titled: Music is a force that gives us meaning&#8230; that incarnates another way to conspire and connect&#8230; that puts us to work. [...]</p>
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		<title>By: Open Source &#187; Blog Archive &#187; Music as a civic &#8220;conspiracy&#8221;: George Mathew</title>
		<link>http://www.radioopensource.org/requiem-for-darfur/#comment-82926</link>
		<dc:creator>Open Source &#187; Blog Archive &#187; Music as a civic &#8220;conspiracy&#8221;: George Mathew</dc:creator>
		<pubDate>Mon, 12 Jan 2009 21:51:44 +0000</pubDate>
		<guid isPermaLink="false">http://www.radioopensource.org/?p=875#comment-82926</guid>
		<description>[...] George Mathew&#8217;s extraordinary musical project unfolds anew tonight at Carnegie Hall. On the bill is the longest symphony in the standard repertoire, Mahler&#8217;s Third, with a couple of hundred star performers on stage, all for the benefit of Children of AIDS. The mission, grander even than the materials, might be titled: Music is a force that gives us meaning&#8230; that incarnates another way to conspire and connect&#8230; that puts us to work. [...]</description>
		<content:encoded><![CDATA[<p>[...] George Mathew&#8217;s extraordinary musical project unfolds anew tonight at Carnegie Hall. On the bill is the longest symphony in the standard repertoire, Mahler&#8217;s Third, with a couple of hundred star performers on stage, all for the benefit of Children of AIDS. The mission, grander even than the materials, might be titled: Music is a force that gives us meaning&#8230; that incarnates another way to conspire and connect&#8230; that puts us to work. [...]</p>
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		<title>By: Open Source &#187; Blog Archive &#187; The American Exception: Pop Culture Today</title>
		<link>http://www.radioopensource.org/requiem-for-darfur/#comment-82924</link>
		<dc:creator>Open Source &#187; Blog Archive &#187; The American Exception: Pop Culture Today</dc:creator>
		<pubDate>Tue, 30 Sep 2008 23:05:00 +0000</pubDate>
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		<description>[...] Copland&#8217;s A Lincoln Portrait (1942) at the JFK Library in Boston with the Indian conductor George Mathew &#8212; before George got his American green [...]</description>
		<content:encoded><![CDATA[<p>[...] Copland&#8217;s A Lincoln Portrait (1942) at the JFK Library in Boston with the Indian conductor George Mathew &#8212; before George got his American green [...]</p>
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		<title>By: Dee Abrahamse</title>
		<link>http://www.radioopensource.org/requiem-for-darfur/#comment-82923</link>
		<dc:creator>Dee Abrahamse</dc:creator>
		<pubDate>Mon, 29 Jan 2007 04:39:31 +0000</pubDate>
		<guid isPermaLink="false">http://www.radioopensource.org/?p=875#comment-82923</guid>
		<description>I was very touched by the story - not about the particular requiem as much as th though of classical musicians and choral singers gathering to donate their musicianship for Darfur. I wish this could be repeated - perhaps with different works - around the country.  I told my choral director and a fellow choi member about it, and the choir member didn&#039;t know what Darfur was.  In Vaughn Williams&#039;s words, may music awake from silence and help our country become more compassionate.</description>
		<content:encoded><![CDATA[<p>I was very touched by the story &#8211; not about the particular requiem as much as th though of classical musicians and choral singers gathering to donate their musicianship for Darfur. I wish this could be repeated &#8211; perhaps with different works &#8211; around the country.  I told my choral director and a fellow choi member about it, and the choir member didn&#8217;t know what Darfur was.  In Vaughn Williams&#8217;s words, may music awake from silence and help our country become more compassionate.</p>
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		<title>By: fjgiblin</title>
		<link>http://www.radioopensource.org/requiem-for-darfur/#comment-82922</link>
		<dc:creator>fjgiblin</dc:creator>
		<pubDate>Sat, 27 Jan 2007 20:31:48 +0000</pubDate>
		<guid isPermaLink="false">http://www.radioopensource.org/?p=875#comment-82922</guid>
		<description>Thankyou George Matthews for your insights.  I sing in a church choir and once we preformed Verdi&#039;s Requiem as part of a large chorale.  It was compelling for me at that time because I had recently lost my father.  But your comments on the npr program about the music and Darfur connected me to the depths of their pain and suffering. Because the response to art is always an awakening (on various levels as you say), we cannot help but act, together.  The dynamic human community is deeply embedded in the human spirit.  It is why we have suvived as a species.   Music preceded language.  But that is a whole other disdussion</description>
		<content:encoded><![CDATA[<p>Thankyou George Matthews for your insights.  I sing in a church choir and once we preformed Verdi&#8217;s Requiem as part of a large chorale.  It was compelling for me at that time because I had recently lost my father.  But your comments on the npr program about the music and Darfur connected me to the depths of their pain and suffering. Because the response to art is always an awakening (on various levels as you say), we cannot help but act, together.  The dynamic human community is deeply embedded in the human spirit.  It is why we have suvived as a species.   Music preceded language.  But that is a whole other disdussion</p>
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		<title>By: EllenB</title>
		<link>http://www.radioopensource.org/requiem-for-darfur/#comment-82921</link>
		<dc:creator>EllenB</dc:creator>
		<pubDate>Sat, 27 Jan 2007 17:22:53 +0000</pubDate>
		<guid isPermaLink="false">http://www.radioopensource.org/?p=875#comment-82921</guid>
		<description>I heard about this concert on NPR this morning and I think itâ€™s a wonderful idea.  I wish I could be there.  As for the question posed, I suppose I disagree a bit with the premise.  I donâ€™t think people are indifferent or feel removed from the suffering around the world and especially in Darfur.  If anything, the tragic images from Sudan live in our minds as reminders of how helpless we are to change anything.



I am personally baffled as to what I can do.  Send money, yes, but havenâ€™t people sent a great deal of money already and still nothing changes.  Put pressure on my representatives in Congress?  Write to the President?  The President has already stated, a very long time ago, that what is happening in Darfur is genocide.  Both my senators have spoken out loudly about what is happening in Sudan and have demanded action.  My representative, Congressman John Olver, actually participated in civil disobedience to bring attention to what is happening in Darfur.  Everyone, it seems, agrees.  So what is the problem?  Where is the distance between words and action?  If we all agree, why are people still dying?



I think the lack of attention by most Americans is more about confusion and helplessness.  We are at war, our soldiers are dying every day in Iraq, we are helpless to stop that either.  There was a time when the words of an American president mattered, where the declaration of a situation as â€œgenocideâ€ would have meant we needed to take action to stop it.  Clearly, that is no longer true.



Perhaps, while listening to Verdiâ€™s Requiem, as that great space of darkness fills with music, the people sitting in those plush seats will ponder the gates of hell into which we have fallen and consider what they can do to spur action and change.</description>
		<content:encoded><![CDATA[<p>I heard about this concert on NPR this morning and I think itâ€™s a wonderful idea.  I wish I could be there.  As for the question posed, I suppose I disagree a bit with the premise.  I donâ€™t think people are indifferent or feel removed from the suffering around the world and especially in Darfur.  If anything, the tragic images from Sudan live in our minds as reminders of how helpless we are to change anything.</p>
<p>I am personally baffled as to what I can do.  Send money, yes, but havenâ€™t people sent a great deal of money already and still nothing changes.  Put pressure on my representatives in Congress?  Write to the President?  The President has already stated, a very long time ago, that what is happening in Darfur is genocide.  Both my senators have spoken out loudly about what is happening in Sudan and have demanded action.  My representative, Congressman John Olver, actually participated in civil disobedience to bring attention to what is happening in Darfur.  Everyone, it seems, agrees.  So what is the problem?  Where is the distance between words and action?  If we all agree, why are people still dying?</p>
<p>I think the lack of attention by most Americans is more about confusion and helplessness.  We are at war, our soldiers are dying every day in Iraq, we are helpless to stop that either.  There was a time when the words of an American president mattered, where the declaration of a situation as â€œgenocideâ€ would have meant we needed to take action to stop it.  Clearly, that is no longer true.</p>
<p>Perhaps, while listening to Verdiâ€™s Requiem, as that great space of darkness fills with music, the people sitting in those plush seats will ponder the gates of hell into which we have fallen and consider what they can do to spur action and change.</p>
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	<item>
		<title>By: davidevanthomas</title>
		<link>http://www.radioopensource.org/requiem-for-darfur/#comment-82920</link>
		<dc:creator>davidevanthomas</dc:creator>
		<pubDate>Sat, 27 Jan 2007 16:27:50 +0000</pubDate>
		<guid isPermaLink="false">http://www.radioopensource.org/?p=875#comment-82920</guid>
		<description>Hi George,



I just heard the Weekend Edition piece on Requiem for Darfur.  Your words about responding in the silence that follows catastrophe were very compelling.  I remember you from the UMN as a very thoughtful musician.  So glad to know you are continuing to find purpose and hope--as well as artistry--in the art.



â€“David Evan Thomas</description>
		<content:encoded><![CDATA[<p>Hi George,</p>
<p>I just heard the Weekend Edition piece on Requiem for Darfur.  Your words about responding in the silence that follows catastrophe were very compelling.  I remember you from the UMN as a very thoughtful musician.  So glad to know you are continuing to find purpose and hope&#8211;as well as artistry&#8211;in the art.</p>
<p>â€“David Evan Thomas</p>
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		<title>By: longdaysjourney</title>
		<link>http://www.radioopensource.org/requiem-for-darfur/#comment-82919</link>
		<dc:creator>longdaysjourney</dc:creator>
		<pubDate>Mon, 22 Jan 2007 03:25:37 +0000</pubDate>
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		<description>Mr. Mathew:



Thank you so much for putting this together.  I&#039;m unable to attend in person, but I am hoping your performance will be simulcast and available for purchase as a recording.  I know that I am only one of many who would like to participate, even if it is only by listening to a cd, in this wonderful event you have organized.  Best of luck tomorrow night!</description>
		<content:encoded><![CDATA[<p>Mr. Mathew:</p>
<p>Thank you so much for putting this together.  I&#8217;m unable to attend in person, but I am hoping your performance will be simulcast and available for purchase as a recording.  I know that I am only one of many who would like to participate, even if it is only by listening to a cd, in this wonderful event you have organized.  Best of luck tomorrow night!</p>
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	<item>
		<title>By: George Mathew</title>
		<link>http://www.radioopensource.org/requiem-for-darfur/#comment-82918</link>
		<dc:creator>George Mathew</dc:creator>
		<pubDate>Sun, 21 Jan 2007 11:48:27 +0000</pubDate>
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		<description>Allison,



Thank you for your beautiful response. Soltrekker, your unease at my posture and indeed the posture of the whole enterprise is a microcosm of our own struggle to find a proper response to the scale of what is going on in Sudan and elsewhere in the world. It is a struggle is that laden with stumbling, recovery, pulling together of people, more stumbling, greater recovery and compassion, some great great music. On one thing I agree with you completely. Stephanie, my wonderful colleague and partner in REQUIEM FOR DARFUR and on OPEN SOURCE, is not only the heart of the show on Thursday, but the heart and battery off our entire operation.



This is an effort to bear witness to what Leonard Bernstein called &quot;our boastfully held little blue pilot flame of Humanity&quot;  -- our ability to love no matter what our own flaws are, no matter what the cirumstances, no matter how large or small the context is.



The response to Darfur has been tied up in knots by our well-meaning commitment to legality and an old-fashioned, perhaps even Old Testament notion of justice. Our effort with these concerts is not just to bring great music to the service of people in need by raising money for them and by raising awareness for them but by creating an enterprise which is driven by love, by inclusion, by embrace not only in the beautiful velvet-seated environs of Carnegie Hall but in the sweaty, hectic, deadline driven of the everyday life whereever we might be.



George Mathew



Artistic Director

requiem for darfur</description>
		<content:encoded><![CDATA[<p>Allison,</p>
<p>Thank you for your beautiful response. Soltrekker, your unease at my posture and indeed the posture of the whole enterprise is a microcosm of our own struggle to find a proper response to the scale of what is going on in Sudan and elsewhere in the world. It is a struggle is that laden with stumbling, recovery, pulling together of people, more stumbling, greater recovery and compassion, some great great music. On one thing I agree with you completely. Stephanie, my wonderful colleague and partner in REQUIEM FOR DARFUR and on OPEN SOURCE, is not only the heart of the show on Thursday, but the heart and battery off our entire operation.</p>
<p>This is an effort to bear witness to what Leonard Bernstein called &#8220;our boastfully held little blue pilot flame of Humanity&#8221;  &#8212; our ability to love no matter what our own flaws are, no matter what the cirumstances, no matter how large or small the context is.</p>
<p>The response to Darfur has been tied up in knots by our well-meaning commitment to legality and an old-fashioned, perhaps even Old Testament notion of justice. Our effort with these concerts is not just to bring great music to the service of people in need by raising money for them and by raising awareness for them but by creating an enterprise which is driven by love, by inclusion, by embrace not only in the beautiful velvet-seated environs of Carnegie Hall but in the sweaty, hectic, deadline driven of the everyday life whereever we might be.</p>
<p>George Mathew</p>
<p>Artistic Director</p>
<p>requiem for darfur</p>
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	<item>
		<title>By: drpeacerose</title>
		<link>http://www.radioopensource.org/requiem-for-darfur/#comment-82917</link>
		<dc:creator>drpeacerose</dc:creator>
		<pubDate>Fri, 19 Jan 2007 20:49:03 +0000</pubDate>
		<guid isPermaLink="false">http://www.radioopensource.org/?p=875#comment-82917</guid>
		<description>Thank you for this wonderful show. Last spring the Seattle Peace Chorus performed &quot;Mozart&#039;s Requium&quot; as a trubute to all who have died in Iraq and Afganistan.  So many of us feel helpless to do anything about the tragic state of the world.  At least for that period of time we felt we were doing something.  A contingent of the the Seattle Peace Chorus will be traveling to Venesuala to perform in June.  Music and the arts can give us a voice, express our empathy and bidge misunderstanding.</description>
		<content:encoded><![CDATA[<p>Thank you for this wonderful show. Last spring the Seattle Peace Chorus performed &#8220;Mozart&#8217;s Requium&#8221; as a trubute to all who have died in Iraq and Afganistan.  So many of us feel helpless to do anything about the tragic state of the world.  At least for that period of time we felt we were doing something.  A contingent of the the Seattle Peace Chorus will be traveling to Venesuala to perform in June.  Music and the arts can give us a voice, express our empathy and bidge misunderstanding.</p>
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